This book is an update of the 17th and 18th century pictorial heritage of Valladolid. It authors have been working on this topic since 1970 and their contributions are recompiled in this wide-ranging study. Structured into four chapters, the work kicks off with an introduction which outlines the city’s social, economic and religious situation in the Baroque period, as well as a study of its clientele, patrons and collectors. They analyse the different pictorial genre, which include religious themes, still life, urban landscapes and custom scenes. The second chapter is devoted to painters from the first half of the 17th century, such as Gregorio Martínez, Pedro Díaz Minaya, Bartolomé de Cárdenas, Tomás de Prado, Felipe Gil de Mena or Blas de Cervera. The third chapter analyses the second half of the 17th century, undertaking a study of such artists as Diego Díaz Ferreras, Agustin Bara, Amaro Alonso, and Manuel Peti, amongst others. The last chapter broaches the era of decadence, the 18th century, with painters such as Diego Frutos, Ramón and Joaquín Canedo and Leonardo Araujo.